Gary Snyder Gary Snyder has been a major cultural force in America for five decades. Future readers will come to see this book as one of the central texts on wilderness and the interaction of nature and culture. The nine essays in Practice of the Wild reveal that " . . . before ecology became a household work, Snyder understood things about our civilization and economy that no one else was talking about, and he writes about them with great authority and a sinewy line." (The Nation) Snyder has gone on to become one of America’s cultural leaders, as his thought has ranged from political and spiritual matters to matters regarding the environment and the art of becoming native to this continent.
Gary Snyder By any measure, Gary Snyder is one of the greatest poets in America in the last century. From his first book of poems to his latest collection of essays, his work and his example, standing between Tu Fu and Thoreau, has been influential all over the world. Riprap, his first book of poems, was published in Japan in 1959 by Origin Press, and it is the 50th anniversary of that groundbreaking book that is celebrated with this new edition. A small press reprint of that book included Snyder’s translations of Han Shan’s Cold Mountain Poems, perhaps the finest translations of that remarkable poet ever made into English.
For the 50th anniversary, this completely redesigned edition of Riprap is accompanied by a CD of Snyder reading all the poems in this collection, with introductions and asides. The recording, made in the poet’s home by Jack Loeffler, marks the first time a complete reading has ever been available in a commercial edition.
One of the finest collections of poems published in the 20th century, this edition will please those already familiar with this work and excite a new generation of readers with its profound simplicity and spare elegance.
Gary Snyder Winner of the Pulitzer Prize for Poetry (1975).
These Pulitzer Prize-winning poems and essays by the author of No Nature range from the lucid, lyrical, and mystical to the political. All, however, share a common vision: a rediscovery of North America and the ways by which we might become true natives of the land for the first time.
Gary Snyder In simple, striking verse, legendary poet Gary Snyder weaves an epic discourse on the topics of geology, prehistory, and mythology. First published in 1996, this landmark work encompasses Asian artistic traditions, as well as Native American storytelling and Zen Buddhist philosophy, and celebrates the disparate elements of the Earth sky, rock, water while exploring the human connection to nature with stunning wisdom. Winner of the Bollingen Poetry Prize, the Robert Kirsch Lifetime Achievement Award, and the Orion Society's John Hay Award, among others, Gary Snyder finds his quiet brilliance celebrated in this new edition of one of his most treasured works.
Wendell Berry, Gary Snyder & Chad Wriglesworth "The letters are valuable for ecologists, students, and teachers of contemporary American literature and for those of us eager to know how these two distant neighbors networked, negotiated, and remained friends."
—San Francisco Chronicle
"In Distant Neighbors, both Berry and Snyder come across as honest and open-hearted explorers. There is an overall sense that they possess a deep and questing wisdom, hard earned through land work, travel, writing, and spiritual exploration. There is no rushing, no hectoring, and no grand gestures between these two, just an ever-deepening inquiry into what makes a good life and how to live it, even in the depths of the machine age."
In 1969 Gary Snyder returned from a long residence in Japan to northern California, to a homestead in the Sierra foothills where he intended to build a house and settle on the land with his wife and young sons. He had just published his first book of essays, Earth House Hold. A few years before, after a long absence, Wendell Berry left New York City to return to land near his grandfather's farm in Port Royal, Kentucky, where he built a small studio and lived there with his wife as they restored an old house on their newly acquired homestead. In 1969 Berry had just published Long-Legged House. These two founding members of the counterculture and of the new environmental movement had yet to meet, but they knew each other's work, and soon they began a correspondence. Neither man could have imagined the impact their work would have on American political and literary culture, nor could they have appreciated the impact they would have on one another.
Snyder had thrown over all vestiges of Christianity in favor of becoming a devoted Buddhist and Zen practitioner, and had lived in Japan for a prolonged period to develop this practice. Berry's discomfort with the Christianity of his native land caused him to become something of a renegade Christian, troubled by the church and organized religion, but grounded in its vocabulary and its narrative. Religion and spirituality seemed like a natural topic for the two men to discuss, and discuss they did. They exchanged more than 240 letters from 1973 to 2013, remarkable letters of insight and argument. The two bring out the best in each other, as they grapple with issues of faith and reason, discuss ideas of home and family, worry over the disintegration of community and commonwealth, and share the details of the lives they've chosen to live with their wives and children. Contemporary American culture is the landscape they reside on. Environmentalism, sustainability, global politics and American involvement, literature, poetry and progressive ideals, these two public intellectuals address issues as broad as are found in any exchange in literature.
No one can be unaffected by the complexity of their relationship, the subtlety of their arguments, and the grace of their friendship. This is a book for the ages.
Gary Snyder “A reaffirmation of a back country of the spirit."—Kirkus Reviews
“A reaffirmation of a back country of the spirit."—Kirkus Reviews
This collection is made up of four sections: "Far West"—poems of the Western mountain country where, as a young man. Gary Snyder worked as a logger and forest ranger; "Far East"—poems written between 1956 and 1964 in Japan where he studied Zen at the monastery in Kyoto; "Kali"—poems inspired by a visit to India and his reading of Indian religious texts, particularly those of Shivaism and Tibetan Buddhism; and "Back"—poems done on his return to this country in 1964 which look again at our West with the eyes of India and Japan. The book concludes with a group of translations of the Japanese poet Miyazawa Kenji (1896-1933), with whose work Snyder feels a close affinity. The title, The Back Country, has three major associations; wilderness. the "backward" countries, and the “back country" of the mind with its levels of being in the unconscious.
Gary Snyder This collection of essays by Gary Snyder, now in paperback, blazes with insight. In his most autobiographical writing to date, Snyder employs fire as a metaphor for the crucial moment when deeply held viewpoints yield to new experiences, and our spirits and minds broaden and mature. Snyder here writes and riffs on a wide range of topics, from our sense of place and a need to review forestry practices, to the writing life and Eastern thought. Surveying the current wisdom that fires are in some cases necessary for ecosystems of the wild, he contemplates the evolution of his view on the practice, while exploring its larger repercussions on our perceptions of nature and the great landscapes of the West. These pieces include recollections of his boyhood, his involvement with the literary community of the Bay Area, his travels to Japan, as well as his thoughts on American culture today. All maintain Snyder's reputation as an intellect to be reckoned with, while often revealing him at his most emotionally vulnerable. The final impression is holistic: We perceive not a collection of essays, but a cohesive presentation of Snyder's life and work expressed in his characteristically straightforward prose.
For his first collection of new poems since his celebrated Danger on Peaks, published in 2004, Gary Snyder finds himself ranging over the planet. Journeys to the Dolomites, to the north shore of Lake Tahoe, from Paris and Tuscany to the shrine at Delphi, from Santa Fe to Sella Pass, Snyder lays out these poems as a map of the last decade. Placed side-by-side, they become a path and a trail of complexity and lyrical regard, a sort of riprap of the poet’s eighth decade. And in the mix are some of the most beautiful domestic poems of his great career, poems about his work as a homesteader and householder, as a father and husband, as a friend and neighbor. A centerpiece in this collection is a long poem about the death of his beloved, Carole Koda, a rich poem of grief and sorrow, rare in its steady resolved focus on a dying wife, of a power unequaled in American poetry.
As a friend is quoted in one of these new poems:
"I met the other lately in the far back of a bar, musicians playing near the window and he sweetly told me listen to that music.
The self we hold so dear will soon be gone.”"
Gary Snyder is one of the greatest American poets of the last century, and This Present Moment shows his command, his broad range, and his remarkable courage.
Gary Snyder Both Pound and Williams have shown a good poet can revitalize prose style. Earth House Hold (a play on the root meaning of "ecology"), drawn from Gary Snyder's essays and journals, may prove a landmark for the new generation.
"As a poet," Snyder tells us, "I hold the most archaic values on earth. They go back to the late Paleolithic; the fertility of the soil, the magic of animals, the power-vision in solitude, the terrifying intuition and rebirth; the love and ecstasy of the dance, the common work of the tribe." He develops, as replacement for shattered social structures. a concept of tribal tradition which could lead to "growth and enlightenment in self-disciplined freedom. Whatever it is or ever was in any other culture can be reconstructed from the unconscious through meditation...the coming revolution will close the circle and link us in many ways with the most creative aspects of our archaic past."
Gary Snyder In 1953, Gary Snyder returned to the Bay Area and, at age 23, enrolled in graduate school at the University of California, Berkeley, to study Asian languages and culture. He intensified his study of Chinese and Japanese, and taking up the challenge of one of his professors, Chen Shih-hsiang, he began to work on translating a largely unknown poet by the name of Han Shan, a writer with whom the professor thought Snyder might feel a special affinity. The results were magical. As Patrick Murphy noted, "These poems are something more than translations precisely because Snyder renders them as a melding of Han Shan's Chinese Ch'an Buddhist mountain spirit trickster mentality and Snyder's own mountain wilderness meditation and labor activities." The suite of 24 poems was published in the 1958 issue of The Evergreen Review, and the career of one of America's greatest poets was launched.
In 1972, Press-22 issued a beautiful edition of these poems written out by hand in italic by Michael McPherson. We are doing a new augments edition based on the old, with a new design, a preface by Lu Ch'iu-yin, and an afterword by Mr. Snyder where he discusses how he came to this work and what it meant to his development as a writer and Buddhist.
On May 11, 2012, for the Stronach Memorial Lecture at The University of California, more than fifty years after his days there as a student, Snyder offered a public lecture reflecting on Chinese poetry, Han Shan, and his continuing work as a poet and translator. This remarkable occasion was recorded and we are including a CD of it in our edition, making this the most definitive edition of Cold Mountain Poems ever published.
Gary Snyder For the full course of his remarkable career, Gary Snyder has continued his study of Eastern culture and philosophies. From the Ainu to the Mongols, from Hokkaido to Kyoto, from the landscapes of China to the backcountry of contemporary Japan, from the temples of Daitokoji to the Yellow River Valley, it is now clear how this work has influenced his poetry, his stance as an environmental and political activist, and his long practice of Zen. Growing up in the Pacific Northwest, Asia became a vocation for Snyder. While most American writers looked to the capitals of Europe for their inspiration, Sndyer looked East. American letters is profoundly indebted to this geographical choice.
Long rumored to exist, The Great Clod collects more than a dozen chapters, several published in The Coevolution Quarterly almost forty years ago when Snyder briefly described this work as The China Book,” and several others, the majority, never before published in any form. Summer in Hokkaido,” Wild in China,” Ink and Charcoal, Stories to Save the World,” Walking the Great Ridge,” these essays turn from being memoirs of travel to prolonged considerations of art, culture, natural history and religion. Filled with Snyder’s remarkable insights and briskly beautiful descriptions, this collection adds enormously to the major corpus of his work, certain to delight and instruct his readers now and forever.
Gary Snyder We are proud to continue our project of publishing Deluxe Audio Editions of the poems of Gary Snyder, read by him. When first published in 2004, it was the poet’s first new collection of poems in twenty years. Perhaps his most personal, autobiographical collection, it begins with the young poet ascending Mt. St. Helens in 1945, a climb accidentally timed with the bombing of Hiroshima and Nagasaki. He was 15 years old. Almost sixty years later, after the great Buddhas at Bamiyan Valley were bombed and with the victims of the World Trade Center also turned to dust,” the poet composed a prayer while at Short Grass Temple in Senso-ji, a pilgrim on the path of Kannon, Goddess of Mercy.
This remarkable collection was greeted with broad praise, and as Julia Martin proclaimed, Moving between relative and absolute ways of seeing, [Snyder] responds to the experience of global conflict and personal pain by reminding readers of the continuity of wildness, affirming the value of art, and invoking an ancient practice of wisdom and compassion.”
Gary Snyder & Julia Martin In this thoughtful, affectionate collection of interviews and letters spanning three decades, beloved poet Gary Snyder talks with South African writer and scholar Julia Martin. Over this period many things changed decisivelyglobally, locally, and in their personal livesand these changing conditions provide the back story for a long conversation. It begins in the early 1980s as an intellectual exchange between an earnest graduate student and a generous distinguished writer, and becomes a long-distance friendship and an exploration of spiritual practice.
At the project’s heart is Snyder’s understanding of Buddhism. Again and again, the conversations return to an explication of the teachings. Snyder’s characteristic approach is to articulate a direct experience of Buddhist practice rather than any kind of abstract philosophy. In the version he describes here, this practice finds expression not primarily as an Asian import or a monastic ideal, but in the specificities of a householder’s life as lived creatively in a particular location at a particular moment in history. This means that whatever topic” a dialogue explores, there is a sense that all of it is about practicethe spiritual-social practice of a contemporary poet.
Gary Snyder Gary Snyder's second collection, Myths & Texts, was originally published in 1960 by Totem Press. It is now reissued by New Directions in this completely revised format, with an introduction by the author.
Gary Snyder's second collection, Myths & Texts, was originally published in 1960 by Totem Press. It is now reissued by New Directions in this completely revised format, with an introduction by the author.
The three sequences in the book—"Logging," "Hunting," "Burning"—show the remarkable cohesiveness in Snyder's writings over the years, for we find the poet absorbed, then as now, with Buddhist and Amerindian lore and other interconnections East and West, but above all with the premedical devotion to the land and work.
William Scott McLean & Gary Snyder American poet Gary Snyder on poetics, tribalism, ecology, Zen Buddhism, meditation, the writing process, and more.
The Real Work is the second volume of Gary Snyder’s prose to be published by New Directions. Where his earlier Earth House Hold(1969) heralded the tribalism of the "coming revolution," the interviews in The Real Work focus on the living out of that process in a particular place and time––the Sierra Nevada foothills of Northern California in the 1970s. The talks and interviews collected here range over fifteen years (1964-79) and encompass styles as different as those of the Berkeley Barb and The New York Quarterly. A "poetics of process" characterizes these exchanges, but in the words of editor Mclean, their chief attraction is "good, plain talk with a man who has a lively and very subtle mind and a wide range of experience and knowledge."
Gary Snyder The title, Regarding Wave, reflects "a half-buried series of word origins dating back through the Indo-European language: intersections of energy, woman, song and 'Gone Beyond Wisdom.'"
"Wild nature as the ultimate ground of human affairs"––the beautiful, precarious balance among forces and species forms a unifying theme for the new poems in this collection. The title, Regarding Wave, reflects "a half-buried series of word origins dating back through the Indo-European language: intersections of energy, woman, song and 'Gone Beyond Wisdom.'" Central to the work is a cycle of songs for Snyder's wife, Masa, and their first son, Kai. Probing even further than Snyder's previous collection of poems, The Back Country, this new volume freshly explores "the most archaic values on earth… the fertility of the soil, the magic of animals, the power-vision in solitude, the terrifying initiation and rebirth, the love and ecstasy of the dance, the common work of the tribe…”
Gary Snyder Silence: The Impending Threat to the Charitable Sector is a high-stake and explosive investigative work about charity misdeeds. As you read this cover, there is a noteworthy charity fraud being perpetrated.
Scandals threaten to destroy the reputation of the charitable sector. These scandals threaten to destroy the reputation of powerful organizations and their leaders.
Charity malfeasance is an addiction of epic proportions. Charity leaders and regulators, by their silence and denial, are enablers.
Because the misdeeds were kept secret, there was no public outcry. The secrets are now being exposed. The sector needs a new paradigm, and Silence makes numerous suggestions as
to how to turn it around.
This expos is based on the largest repository of charity fraud anywhere. Many trusted leaders are exposed including board members, presidents, superintendents, chief executive officers, accountants and more. They embezzled, forged,
extorted, and falsified records; they self-dealt, negligently managed assets, and had multiple conflicts of interest.
Gary Snyder Nuova edizione. Prima edizione digitale.
Questo libro è un inno alla vita e alla natura, un canto d'amore per Madre Terra e i suoi abitanti. Gary Snyder, il grande poeta e filosofo della wildnerness, ci conduce alla scoperta della grandiosità della natura che – costantemente – offre all'uomo abbondanza e ricchezza. Il Grande Flusso rappresenta la consapevolezza che da millenni la natura regola e unisce la vita di tutti gli esseri sulla Terra. Ritornare alla wildnerness significa riappropriarsi di se stessi, in uno stato di felicità autentica in cui non esiste separazione tra uomo e natura ma unicamente lo scorrere continuo di armonia e vita.
"Il desiderio di crescita non è sbagliato. Il nocciolo del problema è ora quello di capovolgere la magnifica energia di crescita della società moderna in una ricerca non predatoria per una conoscenza più profonda del sé e della natura. La propria natura. Madre Natura. Arrivare a capire che ci sono molte vie di crescita non materiali e non distruttive – di più alto e affascinante ordine – sarebbe d'aiuto alla gente per calmare la paura diffusa che una economia a stato stazionario significhi stagnazione mortale." (L'autore)
"In quanto a me sono in linea con il grande flusso." Così Gary Snyder risponde indirettamente a chi lo accusa di "voler tornare indietro nel tempo", intendendo con "grande flusso" la consapevolezza del vivere come parte della delicata relazione che unisce tutte le cose viventi e non. La concezione stessa del tempo si relativizza per chi coltiva una tradizione antica di 40mila anni, istoriata nelle paleo-pitture-rupestri, tramandata da sciamani, mistici e visionari, custodita negli archetipi, celebrata nei miti, raccontata dai poeti e ben presente nella mente dei ri-abitanti bioregionali del XXI secolo. Gary Snyder ha fatto della sua pratica di vita e della sua poesia un affilato e informato strumento per scardinare i confini imposti che ci separano dalla vera natura – natura selvatica – dentro e fuori di noi, dando voce anche alla terra, ai fiumi, alle montagne e a tutti coloro che non hanno parole per farsi ascoltare, ricreando così una nuova/antica definizione di cultura in grado di armonizzare l'esigenza di una giusta società con le esigenze della Terra.
Poeta, saggista, buddhista Zen, montanaro, bioregionalista ed ecologista profondo, Gary Snyder è autore di numerosi libri di poesia e prosa. Tra le sue pubblicazioni: "Myths & Texts" (1960), "Turtle Island" (1974), premio Pulitzer per la poesia, "The Old Ways" (1977), "Axe Handles" (1983), "The Practice of the Wild" (1990), "Mountains and Rivers without End" (1996), "The Gary Snyder Reader" (1999). I suoi testi sono stati tradotti e pubblicati in vari Paesi. In Italia, tra gli altri: "La grana delle cose" (Ed. Gruppo Abele, 1987) e "Nel mondo selvaggio" (Red Edizioni, 1992). Insegna Letteratura all'Università della California a Davis dal 1986. Vive dal 1970 nel territorio del fiume Yuba alle pendici della Sierra Nevada in California ed è membro del locale "Yuba Watershed Institute".
Gary Snyder If left alone, what might a place say? If we must leave it, what must we leave behind? Guru Road, Dooby Lane. It was in this place where, nearly twenty years ago, Gary Snyder discovered, considered, and chronicled such latitudinal ruminations by way of one man, DeWayne Dooby” Williams, and the coalesced stories and tributes which Williams faithfully etched upon granite, his elected canvas. When Snyder and his wife, Carole, were camping along the Black Rock playa, northwest of the Great Basin and northeast of the town of Gerlach, they deviated from their journey down a paved path to explore a little dirt road that glinted with intrigue. This spontaneous decision led Snyder to this remarkable text of life and spirit” and to Williams who, retired and living with cancer, was creating the testament of a lifetimethat which would transcend corporeal measures and touch the lives of countless people in endless moments for many years to come.
DeWayne Williams created this work of Earth Art in the Black Rock desert, near the current site of the Burning Man gathering. This full-color book presents a series of photographs by Peter Goin, accompanied by the prose and poetry of Gary Snyder.
Shohaku Okumura, Gary Snyder, Carl Bielefeldt, Shodo Spring & Issho Fujita An indispensable map of a classic Zen text.
“Mountains and waters are the expression of old buddhas.”
So begins “Sansuikyo,” or “Mountains and Waters Sutra,” a masterpiece of poetry and insight from Eihei Dogen, the thirteenth-century founder of the Soto school of Zen.
Shohaku Okumura, one of the most renowned scholar-practitioners of Dogen in the world, guides the reader through the rich layers of metaphor and meaning in “Sansuikyo,” which is often thought to be the most beautiful essay in Dogen’s monumental Shobogenzo. His wise and friendly voice shows us the questions Dogen poses and helps us realize what the answers might be. How can mountains and waters can be an expression of Buddha’s truth? How can we live in harmony with the environment in respect and gratitude? And what on earth does Dogen mean when he says mountains walk?